FILMES E LEITURAS

SONHO DE UMA NOITE DE VERÃO
HENRIQUE IV, PARTES 1E 2; HENRIQUE V
A MEGERA DOMADA
ROMEU E JULIETA
HAMLET
RICARDO III
TITO ANDRÔNICO
REI LEAR
A TEMPESTADE

SONHO DE UMA NOITE DE VERÃO

Filmes básicos
Max Reinhardt/William Dieterle (1935). VHS, laserdisc
Peter Hall, (1969). VHS
Michael Hoffman (1999). VHS,DVD

Filmes complementares
Peter Weir, Dead Poets´ Society (Sociedade dos Poetas Mortos), (1989)
Adrian Noble, Midsummer Night´s Dream (Sonho de uma Noite de Verão), (1996)
Christine Edzard, Children´s Midsummer Night´s Dream (2001)

Crítica
Peter S. Donaldson. Two of Both Kinds: Marriage and Modernism in Peter Hall?s A
Midsummer Night´s Dream. Manuscrito, a ser publicado em Reel Shakespeare. (Ed.) Courtney
Lehmann e Lisa Starks.

*Northrop Frye. The Argument of Comedy. In: English Institute Essays, 1948. New
York: Columiba University Press, 1949, p. 58-73; reimp. em Shakespeare: Modern Essays
in Criticism. New York: Oxford University Press, 1967 [1957], p. 80-89.

Werner Habicht, Shakespeare and the German Imagination. In: Heather Kerr, Robin
Eaden, Madge Mitton, (Ed.). Shakespeare: World Views. Newark, DE, 1996, p. 87-101.

Diana Harris, The Diva and the Donkey: Hoffman´s Use of Opera in A Midsummer
Night´s Dream, manuscrito.

Russell Jackson. A Shooting Script for the Reinhardt-Dieterle Dream: the War with the
Amazons, Bottom´s Wife, and other Missing ?Scenes?. Shakespeare Bulletin, 16/4, p.19-41,outono 1998.

*Philip C. McGuire. Hippolyta´s Silence and the Poet´s Pen. In: Speechless Dialect.
Berkeley: University of California Press, 1988, p. 1-18.

Louis Montrose. A Midsummer Night´s Dream and the Shaping Fantasies of Elizabethan
Culture: Gender, Power, Form. In: Rewriting the Renaissance: The Discourses of Sexual
Difference in Early Modern Europe . ( Ed.) Margaret Ferguson, Maureen Quilligan e
Nancy Vickers. Chicago and London: The University of Chicago Press, 1986, p. 65-87.

Robert Willson. ´Ill met by moonlight´: Reinhardt´s A Midsummer Night´s Dream and
Musical Screwball Comedy. Journal of Popular Film, 5, p. 185-197 1976.


HENRIQUE IV, PARTES 1E 2; HENRIQUE V

Filmes básicos
Laurence Olivier, Henrique V (1944). VHS, laserdisc, DVD
Kenneth Branagh, Henrique V (1989). VHS, laserdisc, DVD
Gus Van Sant, My Own Private Idaho (Garotos de Programa), (1991). VHS, laserdisc

Filmes complementares
David Giles, Henrique IV, Parte. 1; Henrique IV, Parte. 2; Henrique V [As peças de Shakespeare, BBC TV]. (1979)
Orson Welles: Chimes at Midnight (1966). VHS

Crítica
*Dudley Andrew, Film in the Aura of Art, cap. 8: Realism, Rheotric and the Painting of
History in Henry V. Princeton: Princeton University Press, 1984.

Samuel Crowl, The Long Goodbye, Welles and Falstaff. Shakespeare Quarterly, 31, p. 369-380, 1980; reimp. em Crowl, Shakespeare Observed Studies in Performance on Stage
and Screen, Athens, OH: Ohio University Press, 1992, p. 35-50.

*Peter S. Donaldson, Claiming from the Female: Gender and Representation in
Laurence Olivier´s Henry V. In: Shakespearean Films/Shakespearean Directors. Boston:
Unwin and Hyman, 1990, p. 1-30.

Stephen J. Greenblatt, Invisible Bullets. In: Shakespearean Negotiations. Berkeley: University of California Press, 1988, cap. 2, p. 21-65.

Russell Jackson, Two Films of Henry V: Frames and Stories. Collection Astraea,
N.4:The Show Within: Dramatic and Other Insets. English Renaissance Drama (1550-
1642). Anais da Conferência Internacional realizada em Montpelier, 22-25 nov. 1990. Ed. Francois Laroque. Montpelier: Universite Paul-Valery-Montpelier III:
Centre d´Etudes et de Recherches Elisabethaines, 1991?, p. 181-197.

Bridget Gellert Lyons. (Ed.). Chimes at Midnight. New Brunswick NJ e London, 1988.

Kenneth S. Rothwell. A History of Shakespeare on Screen: A Century of Film and
Television. Cambridge: Cambridge University Press, 1999, p. 84-94. [Sobre Chimes at
Midnight].

Susan Wiseman. The Family Tree Motel: Subliming Shakespeare in My Own Prvate
Idaho.In: Lynda E. Boose e Richard Burt. (Ed.). Shakespeare the Movie: Popularizing
the plays on Film, TV and Video. New York e London: Routledge, 1997, p. 225-
239.


A MEGERA DOMADA

Filmes básicos
Franco Zeffirelli, Taming of the Shrew (A megera Domada), (1967), VHS, laserdisc, DVD
Gil Junger, 10 Things I Hate About You (10 Coisas que eu Odeio em Você), (1999), VHS, DVD

Filmes complementares:
Sam Fuller, Taming of the Shrew (A Megera Domada), (1929)
Amy Heckerling, Clueless (As Patricinhas de Beverly Hills), (1999)

Crítica
*Burt, Richard. Afterword: Te(e)n Things I Hate about Girlene Shakesploitation Flicks
in the Late 1990s, or Not-So-Fast Times at Shakespeare High. In: Lehmann, Courtney,
e Lisa S. Starks. (Ed). Spectacular Shakespeare: Critical Theory and Popular Cinema.
Madison, N.J.: Fairleigh Dickinson University Press e London: Associated University
Presses, 2002, p. 205-232.

Barbara Hodgdon. Katherina Bound; or, Play(K)ating the Strictures of Everyday Life. In: Robert Shaughnessy (Ed.). Shakespeare on Film: Contemporary Critical Essays. Houndsmills, Basingstoke, Hamphire: MacMillan e London: Macmillan e New York: St. Martin´s Press, 1998, p. 156-172.

Lynda Boose. Scolding Brides and Bridling Scolds: Taming the Woman´s Unruly
Member. Shakespeare Quarterly, 42.2, p. 179-213, verão 1991.

*Diana E. Henderson. A Shrew for the Times. In: Lynda E. Boose e Richard Burt. (Ed.). Shakespeare the Movie: Popularizing the plays on Film, TV and Video. New York
e London: Routledge, 1997, p. 148-168.


ROMEU E JULIETA

Filmes básicos

Franco Zeffirelli, Romeu e Julieta (1968)
Baz Luhrmann, William Shakespeare´s Romeo+Juliet (Romeu+Julieta de William Shakespeare) (1996)
John Madden, Shakespeare in Love (Shakespeare Apaixonado) (1998)

Filmes complementares:

George Cukor, Romeu e Julieta (1936)
Renato Castellani, Romeu e Julieta (1954)
Robert Wise, West Side Story (Amor Sublime Amor), (1961)

Crítica:

Katherine Dalsimer. Female Adolescence. New Haven e London: Yale University
Press, 1986.

Peter S. Donaldson. ´Let Lips do what hands do´: Male Bonding, Eros and Loss in
Zeffirelli´s Romeo and Juliet. In: Shakespearean Films/Shakespearean Directors. Boston: Unwin e Hyman, 1990, p. 145-188.

* _______, ?In Fair Verona:? Media, Spectacle and Performance in Romeo+Juliet. In: Richard Burt (Ed.). Shakespeare after Mass Media. New York: Palgrave, 2002, p. 59-82.

Hodgdon, Barbara. Wiliam Shakespeare´s Romeo + Juliet: Everything´s Nice in
America?. Shakespeare Survey, 52, p. 88-98, 1999.

Courtney Lehmann. Shakespeare in Love: Romancing the Author, Mastering the Body. In: Spectacular Shakespeare: Critical Theory and Popular Cinema. Madison, N.J.:
Fairleigh Dickinson University Press e London: Associated University Presses, 2002.
p. 125-148.

Edward Snow. Language and Sexual Difference in Romeo and Juliet. In: Shakespeare´s
´Rouch Magic?: Essays in Honor of C.L. Barbe (Ed.). Peter Erickson e Coppelia Kahn. Newark: University of Delaware Press, 1985. p. 168-192.

HAMLET

Filmes básicos
Laurence Olivier, Hamlet (1948)
Michael Almereyda, Hamlet (2000)

Filmes complementares
Svend Gade, Hamlet (1920)
John Gielgud, Hamlet (1964) [versão "electronovision" da produção teatral de 1964]
Grigorii Kozintsev, Hamlet (1964)
Tony Richardson, Hamlet (1969)
Ragnar Lyth, Hamlet (1982)
Franco Zeffirelli, Hamlet (1990)
Kenneth Branagh, Hamlet (1996)

Crítica
Janet Adelman. Hamlet and the "Hamlet and the Confrontation with the Maternal
Body". In: Hamlet. Boston: St. Martin´s, 1994. p.241-282.

Felix Barker. The Tremulous Private Body. Ann Arbor: University of Michigan Press,
1995 [1984]; cap. sobre Hamlet.

Stephen Greenblatt. Hamlet in Purgatory. Princeton: Princeton University press, 2001.

Ernest Jones. Hamlet and Oedipus. London: Victor Gollancz, 1949.

G. Wilson Knight. The Embassy of Death. In: The Wheel of Fire. London: Methuen,
1930, reimp. em 1954).

Courtney Lehmann. The Machine in the Ghost: Hamlet´s Cinematographic Kingdom. In: Shakespeare Remains. Ithaca: Cornell University Press, 2002. cap. 3, p. 89-129.

Robert Weimann. Performance and Authority in Hamlet (1603). In: Donald
Hedrick e Bryan Reynolds (Ed.). Shakespeare without Class: Misappropriations of
Cultural Capital. New York: Palgrave, 2000. p. 52-63.

RICARDO III

Filmes básicos
Richard Loncraine, Ricardo III (1996)
Al Pacino, Looking for Richard (1996)

Filmes complementares
Laurence Olivier, Ricardo III (1953)

Crítica
Herbert Coursen. Filming Shakespeare´s History: Three Films of Richard III. In: The
Cambridge Companion to Shakespeare on Film, ed. Russell Jackson. Cambridge:
Cambridge UP, 2000, p. 97-115.

*Peter S. Donaldson, Cinema and the Kingdom of Death: Loncraine´s Richard III. Manuscrito
(a ser publicado em Shakespeare Quarterly); versão menor online disponível em:

Barbara Freedman. Critical Junctures in Shakespeare Film History; The Case of Richard
III. In: The Cambridge Companion to Shakespeare on Film. (Ed.). Russell Jackson. Cambridge: Cambridge UP, 2000, p. 65-66.

Barbara Hodgdon. Replicating Richard: Body Doubles, Body Politics. Theatre Journal,
50, maio 1998.

TITO ANDRÔNICO

Filmes básicos
Julie Taymor, Tito (1999)

Filmes complementares:
Jane Howell, Tito Andrônico (1985)

Crítica
*Richard Burt. Shakespeare and the Holocaust: Julie Taymor´s Titus is Beautiful, or
Shakesploi Meets (the) Camp. In: Richard Burt ( Ed.). Shakespeare after Mass Media. New York: Palgrave, 2002, p. 295-330.


REI LEAR

Filmes básicos
Michael Elliott, Rei Lear (1984)
Jean-Luc Godard, Rei Lear (1987)

Filmes complementares
Grigorii Kozintsev, Rei Lear (1970)
Peter Brook, Rei Lear (1971)
Akira Kurosawa, Ran (1985)

Crítica
Thomas Clayton. ´Is this the promis´d end?´ Revision in the Role of the King. In: The
Division of the Kingdoms? Shakespeares Two Versions of King Lear. (Ed.) Gary Taylor
e Michael J. Warren. Oxford, 1983, p. 121-141.

Peter S. Donaldson. Disseminating Shakespeare: Paternity and text in Jean-Luc Godard´s
King Lear. In: Shakespearean Films/Shakespearean Directors. Boston: Unwin e
Hyman, 1990. p. 189-225.

Michael Warren. Preface. In: The Complete King Lear, 1608-1623. Berkeley : University
of California Press, 1989.

A TEMPESTADE

Filmes básicos
Paul Mazursky, Tempestade (1982)
Peter Greenaway, Prospero´s Books (A Última Tempestade), (1991)

Filmes complementares
Derek Jarman, A Tempestade (1979)
Fred M. Wilcox, Forbidden Planet (Planeta Proibido), (1956)

Crítica
Francis Barker e Peter Hume. ´Nymphs and reapers heavily vanish´: The Discoursive
Con-Texts of The Tempest. In: John Drakakis, (Ed.). Alternative Shakespeares, London e
New York: Methuean, 1985.

Paul Brown, ´This thing of darkness I acknowledge mine´: The Tempest and the
Discourse of Colonialism. In: Jonathan Dollimore e Alan Sinfield, (Ed). Political
Shakespeare: New Essays in Cultural Materialism. Manchester: Manchester University
Press, 1985, p. 48-71.

Douglas Bruster. The Postmodern Theater of Paul Mazursky´s Tempest. In: Mark
Thornton Burnett e Ramona Wray, (Ed.). Shakespeare Fin de Siecle . Houndsmills,
Basingstoke, Hamphire: MacMillan, London: Macmillan e New York: St. Martin´s
Press, p. 26-39.

Peter S. Donaldson. Shakespeare in the Age of Mechanical Reproduction: Sexual and
Electronic Magic in Prospero´s Books. In: Lynda E. Boose e Richard Burt, (Ed.).
Shakespeare the Movie: Popularizing the plays on Film, TV and Video. New York e
London: Routledge, 1997, p. 169-185.

_____, Digital Archives and Sibylline Fragments: The Tempest and the End of Books. In:
Postmodern Culture 8.2, jan., 1998. Número especial sobre filme. Períodico online disponível em:
e também em: .

Mary Fuller. Forgetting the Aeneid. American Literary History, p. 517-538, verão 1992.

Stephen J. Greenblatt. Learning to Curse: Aspects of Linguistic Colonialism in the 16th
Century. In: Fredi Chapelli, (Ed.). First images of America: The Impact of the New World in
the Old. Berkeley: University of California Press, 1976, p. 561-580; reimp. em Stephen J.
Greenblatt, Learning to Curse. London: Routledge, 1990, p. 16-39.

Douglas Lanier. Drowning the Book: Prospero´s Books and the Textual Shakespeare. In:
James C. Bulman, (Ed.). Shakespeare, Theory and Performance. New York e London:
Routledge, 1996, p.187-209.

Ottavo Mannoni, Prospero and Caliban: The Psychology of Colonialism. Tradução Pamela
Powesland. New York: Praeger, 1964 [1950].

Alden T. Vaughan e Virginia Mason Brown. Shakespeare´s Caliban: A Cultural
History. Cambridge: Cambridge University Press, 1990.